Какво е позволено да правят плевелите… (The Potential of Weeds)

” Какво е позволено да правят плевелите ” е история за справянето с принципите. Всеки принцип се прилага в контекста, от който произлиза. Новите ситуации изискват преразглеждане на прилаганите досега принципи. Принципите на мислене и действие, възприети от други контексти, могат да доведат до спиране на по-нататъшното развитие.

Какво е позволено да правят плевелите…

Дълго време те мълчаха. Тогава малкото глухарче попитало големия си съсед: „Какво правиш в момента?“ „Тренирам корена си“. „Аз също го правя. Но от няколко дни не съм постигнал никакъв напредък. Коренът ми се е ударил в камък.“ „Вижте как го прави канапето. Позволи на корена си да расте около камъка. Ако е необходимо, образувай няколко корена“, каза голямото глухарче. „Не ми е позволено да правя това“, каза малкото. „Коренът си е корен.“ И си остана малко.

This story in English/ Тази история на английски език:

Бих искала да благодаря на илюстратора Василена Димитрова за предоставянето на снимките:

На 27 и 28 октомври 2025 г. в София ще проведа семинар за терапевтично разказване на истории.

Повече информация можете да получите от Българската асоциация по хипноза и хипнотерапия (БАХХ).

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“Hammel Digital” – AI assistant for utilization and supervision

I asked an AI developer to build me a chatbot with offers for therapeutic interventions based on my manual for therapeutic utilization, among other things.

The prototype has been refined and improved over the last few months.

You can find the AI assistant for Utilization and Supervision embedded in my

🔗 Blog.

If you feel like it, you can play around with it (e.g. ask: “my client suffers from moth phobia and tinnitus, how can I help her therapeutically / do you have a story I can tell her) and write me what positive / negative experiences you have had with it and what you think should be improved.

The AI also works if you speak to him in other languages.

I look forward to your feedback 📧.

Your Stefan

The Potential of Weeds

“The Potential of Weeds” is a fable about principles. Every principle applies only in the context from which it originates, and a change in circumstances makes it necessary to review the principles which previously applied. Principles which dictate how to think and act in a particular situation may impede development if they are carried over to different situations.

They were silent for a long time. Then the little dandelion asked his much larger neighbour, “What are you doing?” “I’m growing my taproot.” “That’s what I’m doing too. But I’ve made no progress for days. My root has hit a stone.” “Just do what the couch grass does and grow your root around the stone. Grow more roots if necessary,” said the big dandelion. “I can’t do that,” said the small dandelion. “A taproot is a taproot.” And he never grew any larger.

Terminé!

« Terminé! » , cria l’œuf quand il fut pondu. « Maintenant terminé! » , cria le tétard quand il fut sortie de l’œuf. « Maintenant je suis au complet! », cria la créature quand elle eut deux pattes. « Je suis enfin au complet de la tête aux pieds! » , cria l’être, quand il eut quatre pattes et une longue queue. « Qui sait ce qui va désormais encore se produire… » , dit la grenouille quand elle fut terminée.

El aroma del pan

“Mujer“, dijo el panadero, “me vuelvo más viejo y mis fuerzas están disminuyendo. Durante toda mi vida he hecho el pan para el pueblo. La gente venía aun de lejos para comprar mis panecillos. ¿Y cuando llegue el día en que yo tenga que dejar para siempre el cuenco de la amasadura, quién seguirá llevando el negocio?” Los dos no tenían hijos.
“Anda”, habló la mujer, “busca a un hombre joven que te eche una mano y a quien puedas enseñarle todo en cuanto a tu arte. Cuando seas viejo y ya no puedas trabajar, él podrá continuar con la tienda y estarás orgulloso de él como de tu propio hijo.”
Dicho y hecho. El panadero hizo divulgar por los pueblos vecinos que buscaba a alguien al que le gustase hacer pan y que quisiera aprender este oficio de él.
En los días siguientes se le presentaron cuatro hombres jóvenes, y no sabía por cuál decidirse. Como la decisión le resultaba tan difícil, acudió a su esposa y le preguntó a ella lo que podía hacer. Dijo esta: “Haz venir a todos otra vez. Te diré a quién vas a tomar.”
Entonces el panadero pidió a los cuatro hombres que viniesen de nuevo. El primer hombre se presentó y la mujer le preguntó: “¿Por qué quieres hacerte panadero?”
“Me gusta madrugar y me gusta acostarme temprano. Y un panadero se entera muy pronto de todas las novedades que se cuentan en el pueblo y en sus alrededores.”
Vino el segundo y la mujer le preguntó: “¿Por qué quieres hacerte panadero?”
“Mis padres son difuntos y tengo que mantener esposa e hijos.”
Vino el tercero y le preguntó: “¿Por qué quieres hacerte panadero?”
“Lo considero un honor hacerle a la gente el pan que dios nos ha dado.”
Vino el cuarto, y a él no le preguntó nada.
“Tomamos a este”, le dijo a su marido.
“¿Y por qué a él?”
“Al entrar aspiró profundamente el aroma del pan.”

(Por Stefan Hammel, traduccíon: Bettina Betz)

The Librarian

The story “The Librarian” shows a metaphor for the cooperation of conscious and unconscious thinking and represents a useful viewpoint of how memory functions. It is useful in any context where learning and gaining access to memories and capacities plays a role…

Do you sometimes try and think of somebody’s name and it just doesn’t come? And then you do something else and don’t even think about it any more and then suddenly – hey presto! – the name pops up! Isn’t it strange that you sometimes don’t find the solution while you are looking for it, but indeed and very so often, afterwards? How is this possible? There is only one answer…
A friendly librarian works in the brain that manages the stockpile of your knowledge. He sits in the service area on the ground floor near the lobby. The most frequently used books and folders he has nicely to hand and clearly presented in this zone. He has well ordered long shelves in the basement for the material that is rarely required. Sometimes when a book is out of place or your request does not meet the specifications of the registry, he needs more time to research. Because you’re not used to waiting, you are likely to think that he has forgotten you. But as the librarians are not like that, they are in fact very service-oriented and extremely meticulous! With your request in his hand off he goes through all of the basement rooms. He hunts and searches and finally: “Aha! I’ve got it!” With the book in hand, he comes up the stairs. He brings you what you need.

Africa

This therapeutic story can be used for supporting learning in general, as well as re-learning abilities after a health problem. For example, it can be applied quite beautifully with stroke patients. Obviously, it is also indicated as a story supporting change and developement with anyone who has got a strong biographical link to Africa. Of course, instead of Africa, other continents or regions of the world can be used, in order to adapt the story to individual needs. The reason why I chose the mapping of Africa as the key focus of this story is, that on maps Africa has the shape of a head or scull and thus points to brain functions.

Maps have existed for millennia but there a big differences between modern maps and those from dating from earlier centuries. For example, three hundred years ago, if a publisher printed a map of Africa, it had big white patches on it. ‚Terra incognita’ was marked on it; unknown territory. The coasts were then largely free of such white spots, but the interior of the continent was still a single, large white patch. However, many researchers undertook trips into the heart of Africa and what they learned there, they reported to the cartographers who diligently recorded everything. Land and water routes were discovered. The turns of each river were researched and drawn. The names of the settlements were recorded and the names of the tribes written down. The white patches on the map became smaller and smaller. The parts of the country that were explored and known steadily grew. Finally, the white spots disappeared completely. The whole of Africa was mapped.

Le gramophone

J’ai un phonographe à la maison. J’y fais passer des chansons comme « Nur nicht aus Liebe weinen » – Seulement ne pas pleurer à cause de l’amour et « Ich weiß, es wird einmal ein Wunder gescheh’n » – Je sais qu’il y aura un miracle un jour. Zarah Leander chante ça avec sa voix basse – c’est magnifique ! Puis j’écoute la voix de corbeau de Louis Armstrong, et pour moi c’est une rencontre avec lui-même, avec lui tout personnellement. J’écoute Caruso, il chante avec son vibrato depuis la nuit des temps : « O sole mio… ». Leurs voix volent vers moi des rainures du disque, sans électricité. Elles arrivent vers moi comme les voix de ces personnes même. Quand leurs voix retentissent du pavillon, les chanteurs sont des hôtes dans mon temps. Je les rencontre dans la même pièce. Puis le gramophone se tait, leurs voix retournent dans cet autre monde séparé du notre, là où habitent les anciens possesseurs de ces voix.

Keys

I’m using this story to support people who have suffered a stroke to recover their memories. Of course it can be used with any kind of amnesia or neurological loss of abilities, like with a person waking up after bein in coma for a long time. The story can also be used with students who are afraid of exams or with self inconfidence problems.

Was it a dream? Was it reality? I walked through the building. To my right and to my left were many doors. I turned the handles but not a door opened. The rooms were closed to me. I sat down and wept. “Why are you crying?” asked someone. I pointed to the locked doors. “Do you not know… ” he said and pointed to the pockets of my coat. “You have the keys!” I reached into my pockets and indeed pulled out two massive bunches of keys, two key rings with hundreds and hundreds of different shaped keys, large and small. How was I to know which key fit the lock of many rooms? “You have to try it,” said my encourager. “In your own time. You have all the time in the world. Try all the doors and try all the keys. Gradually you will open more and more doors. Never give up. Your freedom will grow with every open room and one day you will know the door to every key and the key to every door.”

Everything Else

In a land in our time there lived a man, who read a book and found lots of wonderful stories therein. There were true and invented stories, experienced and pensive, enjoyable and painful stories. There were stories which contained stories, and such which were actually not stories. For every story he read, there occurred to him nearly five which he had either experienced or thought up himself. So the thought came to him, that a lot in the world was a story which could be healing for himself and others; he only needed to absorb the healing stories well and to forget the terrible ones immediately. Then he would learn which story he had used when and for what. So he organised his own stories which he knew, and which had become a help to himself and others, or could become so. Sometimes he noted it down when a new story came to his ears and sometimes when a helpful story occurred to him, he memorised it.

Then he saw before him in a picture the storystories of this life arranged in long shelves, as in a large pharmacy. And behind the counter there sat a man who had learnt to listen to himself and others. He was a master of his subjectspecialty. His talent was that he understood how to tell the right thing at the right time to himself and to those who visited him.